Anylasis of Humbert :: essays research papers

Humbert Humbert   Ã‚  Ã‚  Ã‚  Ã‚  Humbert Humbert in the book Lolita is the type of person who will do anything to satisfy his needs. When Humbert is institutionalized in an insane asylum he toys with the doctors. Once he got to a certain age Humbert felt like he needed to get married to suppress his sexual desires, so he did. Later on Humbert realizes the only way he can be with Lolita is by marrying her mother, Charlotte. After Hubert loses his control on Lolita he gets the need to get revenge on the person who has taken Lolita from him. A person can grow up into being a very needy person or someone who always needs to be in control by how they are raised and their surroundings.   Ã‚  Ã‚  Ã‚  Ã‚  The second instance of Humbert goes into a mental asylum he manipulates the doctors making them believe false diagnoses. He gets a certain joy from tricking the doctors. Humbert describes the joy: â€Å"I discovered there was an endless source of robust enjoyment in trifling with psychiatrists: cunningly leading them on; never letting them see that you know all the tricks of the trade, inventing for them elaborate dreams†¦ teasing them with fake primal scenes†¦ (Nabokov 34) He goes to certain extremes to satisfy his wants. Humbert goes as far as bribing a nurse so he can see that the doctors were misdiagnosing him. This back and forth with the doctors was nothing more than a game for Humber. This type of control was making him really happy so he decided to stay even longer than he needed to at the insane asylum. â€Å"The sport was so excellent, in results in my case so ruddy that I stayed on for a whole month after I was quite well. And then I added another week just for the pleasure of taking on a powerful newcomer.† (Nabokov 34)   Ã‚  Ã‚  Ã‚  Ã‚  Once he became a young adult Humbert knew that he needed to repress his sexual desires for young nymphets so he married Valeria. When he married Valeria, she was a very young looking polish girl. This way he was able to be with someone that reminded him of nymphets and still able to have a certain sense of security. â€Å"†¦what really attracted me to Valeria was the imitation she gave of a little girl.† (Nabokov 25) Humbert didn’t really love her he was just using her for her young looks.

Demographics and Audience Analysis

Chapter 12 Activity #5 Page 382 Abstract Here is my response to the activity #12 question. ACTIVITY #5 5. Why is audience analysis important? How can it help the speaker in a business presentation? What are its limitations? Audience analysis is important because it is part of your preparation process in order to ensure that you have completed the appropriate research and homework on who you will be presenting to. The research can include anything from age, gender, audience’s size, social class, educational level, cultural background, and occupational status. When preparing a business presentation it is important to know your audience in order to help send a specific message to sell a specific product, or gain a certain business clientele to expand a merger or can range from just about anything. The most important thing is knowing who you are talking to, because in most cases the audience has already done their research on the speaker and are already prepared with questions and assumptions before the presentation starts. The limitation is only based upon how much you are prepared and have a specific presentation tailored to your specific audience. For example it wouldn’t make sense to prepare a speech for a group of electrical engineers and then present it to a group of third graders and expect them to understand the material. Here is the text from the ebook over audience analysis. O'Hair, Dan (2012). In presentational speaking, the process of finding out about those to whom you will be speaking is termed audience analysis, and it corresponds to the second component of strategic communication: gathering situational knowledge. When preparing for a presentation, you can research individual members of the audience, organizational factors that affect the audience, and even location, time, or other physical influences. Audience analysis helps you to understand the speaking situation as it unfolds as well as how best to prepare for the audience’s needs and likely responses to your message. In other words, effective speakers continue to gather information and monitor the situation throughout the presentation Demographic information—the audience’s size, age, social class, educational level, gender, cultural background, and occupational status—is fundamental to any audience analysis. Demography (the collection and study of such information) is a necessary first step toward establishing more specific and complex analyses of a target audience. The target audience—the key decision makers who are members of the general audience—is an important focus for your analysis. You are more likely to succeed by tailoring your ideas, information, and appeals to these audience members. 5 Audience attitudes toward many social and economic issues can be predicted through careful demographic analysis. For example, if you learn that your audience will be composed of employees in the manufacturing division of your company—mostly blue-collar males ages 40 to 60 who are union members—you can conclude that a presentation on why the company should deunionize to encourage new hiring policies will have to be approached with careful preparation and an understanding of possible negative audience response. This is not to say that audience analysis encourages stereotyping or can be ignored if you think you already know, for example, what a typical clerical worker is like. It is vital to approach audience analysis with an open mind because you are likely to discover unexpected characteristics of audience members that may provide the key to connecting with them. By analyzing and understanding the implications of the audience analysis, you will have a good sense of how to aim your presentation and what language and imagery to employ. Remember also that it is important to know whether you are speaking to accountants, engineers, marketers, janitors, or a combination of various employee groups. They may all work for your company, but each group has a different perspective on the organization, and it is also likely to differ from your own. Be sure to modify your presentation to accommodate each group because the most successful presentations are those that address every member of the audience and make each person feel involved and important. Three categories of audience analysis can be considered when doing a profile. Each of the three categories provides a different starting point for thinking about your audience’s needs. †¢ Audience type—Why have these people decided to attend your presentation? Audience characteristics—What are the religions, education levels, ages, ethnicities, and genders of typical audience members? Environmental characteristics—How will the setting and surroundings affect the speaking situation? † Bibliography O'Hair, Dan (2012). Strategic Communication in the Business and Professions [7] (VitalSource Bookshelf), Retrieved from http://online. vitalsource. com/books/9781256085492/id/pg359

Romanticism in British Literature - Free Essay Example

Sample details Pages: 4 Words: 1067 Downloads: 7 Date added: 2019/06/14 Category Art Essay Level High school Tags: Romanticism Essay Did you like this example? Romanticism in British Literature Romantic as a term, has come to mean many things, and that in itself means nothing at all, the variety of the possible meanings all reflect the complexity of romanticism, and the ideals it represents. Romanticism started around the start of the french revolution and and reflected opposite ideals of the enlightenment, and brought deeper reflection into poetry. The movement also started a new style of art, subjecting individualism, freedom of rules, and devotion to nature. Don’t waste time! Our writers will create an original "Romanticism in British Literature" essay for you Create order Literature turned against the church, refuting the ideals of scientific stance for the fight of good vs evil and personal beliefs. Romanticism reflected heavily in british literature and caused changes in the pursuit of human connection and relationships, ways books were written, and brought the beginning of folk- spirit. Romanticism as a movement is defined as a deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over intellect; a turning in upon the self and a heightened examination of human personality and its moods and mental potentialities (Britannica). Ideas of the enlightenment, and the industrial revolution were opposing views of romantics because those entities represented values of progress and rationality, not simplicity, and naturalness. The rural and the idea of minimal invasion of humans upon the natural world spread throughout Europe and would ultimately impact arts, and literature but society at large. Romantic cultural influences permanently altered the ways in which human emotions, relationships, and institutions were viewed, understood, and reflected into onward growth of humanity. In the continuation of romantic influence in the human arts new styles, and representation of ideas strayed away from what was common into new and complex. Ideas started to change after the enlightenment ended in the 1790rs and became a manifesto for romantic poets, and a new style of analysis of the folk-spirit was characterized by the sentiment in characters and their experiences. The folk-spirit presented in the works of William Shakespeare flourished during this time as a few of his works were heavily tied to a national cultural identity (Emerick). Shakespeare also became popular for his works like A Midsummer Nightrs Dream for the fairytale elements that were a new style of writing that birthed from the romantic era. Authors who refuted the materialistic practices in their writing and opted for more of the potential beauty in nature, and human emotion were highlighted further than those who focused more on scientific perspectives. Once a powerful influence, the church began to l ose hold among people and it was rigid, and set values that were reason over passion (Bramwell). Without common ground with european citizens the church lost hold, influence, and tradition as well as losing many people altogether. Furthermore, the literary products changed positions on economics, politics, morals, and human interactions. Idealistic positions in life, such as royalty or elevated social status from riches, were replaced with the belief that through close attention, and effort most ordinary experiences in the human life could become extraordinary. In order to experience the new elevation in ordinary life many authors included new characteristics within their characters and the ways problems were faced, presented. Such values included creative expression accompanied with the belief of using extraordinary outlooks to elevate oneself into a higher plane of living, more intensely felt emotions in the quest to find oneself, and initiate stronger or deeper connections within others and society. The spontaneous and common outpours of emotions, almost as a confession, followed common emotions such as affection, longing, and sorrow. Shakespeare had many soliloquies, and monologues that followed the poetic outpour, these of which continued to influence writing, and character composition by allowing audiences to connect deeper with literature in the aspect of common human emotion. Economic, and political writings reflected opposite of industrialization and the advancement of technology because romantics believed these were inverting the prosperity of nature and hindering mankinds ability to create lifestyles with naturalness, and simplicity. With the growth of industry came social distruction between women, men, and minorities, and romantics wanted to redefine means of being modern in respects to early forms of feminism and being a citizen. Along with values such as these the invention of the gothic horror novel flourished because of the ties into emotionalism. Gothic horror introduced the observational nature of human activity and exploration. Melodramas flourished for the intense sadness, and alienation encouraged by deeply felt emotions adding the position for narrators to give insight of emotions for the experiences of the characters. Authors in the romantic era were not confined to just functional writing, works ranged all the way into controversial outspoken social issues in oppression, retakes into childhood expression, and the revolution of imagination. Truly this was the beginning steps into the culture of rebellion. The writing of social injustice, and oppression arguably still effects journalism in modern times, and likely affected the beginning of commercialism many years after the romanticism era ended. Books such as The Jungle , The Lines We Cross, are examples of the outspoken controversy made popular by romantic writers that have still influenced literature today. For many, romantics found the formals ways of life to be confining, and the subjectiveness approach literature took in some directions had a changed philosophical view. With the industrialization came a newer middle class, which has many entrepreneurs, and those brave enough to turn rags to riches by seeking their own vision. These actions tied into more factors of romantic literature by enlightening the human experience to struggle and by expressing ones vision to become meaningful in others or society. This struggle was seen as the natural way to conquer ordinary life, becoming unique in the will of man. Bibliography Britannica, The Editors of Encyclopaedia. Romanticism. Encyclop dia Britannica, Encyclop dia Britannica, Inc., 6 Dec. 2017, www.britannica.com/art/Romanticism. Web. Richardson, Alan. British Romanticism and the Science of the Mind. Google Books, Cambridge University Press, 2004, books.google.com/bookshl=enlr=id=RgXo1E6tWxACoi=fndpg=PP1dq=british%2Bromanticismots=6rjb4Rk8F-sig=hyj4Io0FGYPMgfeL64eIRVscHTo#v=onepageq=british%20romanticismf=false. Print. Emerick, Carolyn. Folklores Roots in the Romantic Era Nationalist Movement. The Vkisch Folklorist, Eruopa Sun, 29 May 2017, www.carolynemerick.com/folkloricforays/folklores-roots-in-the-romantic-era-nationalist-movement. Bramwell, Bevil, and OMI. Romanticism and the Church. The Catholic Thing, The Catholic Thing, 29 Apr. 2017, www.thecatholicthing.org/2017/04/30/romanticism-and-the-church/.